You know the drill. In the last episode I did of this series, I said the next one would be coming shortly, huh?

Yeah, right. I lied. These come out when they come out.

Here’s another linkdump—a list of links to stuff I thought was interesting but likely won’t get to properly reviewing any time soon.¹

I reserve the right to more fully review any of these article at a later date, of course. (Though at this point, it’s extremely unlikely to ever happen.)

I’ve been thinking a lot about the value of writing recently, especially in regard to how it’s been influenced by the advent of generative AI. In the past few months, I’ve had a lot of conversations in which people claimed that generative AI is just as good at writing as humans now, or better, in many cases. While I agree that AI generation tools are, at this point, better at the mechanics of writing than the average person, I have always found their outputs to be shallow and devoid of interesting surprises.

I think there might be people out there who think I’m a poet, and I think it’s terrifying. I haven’t been a poet since my middle school days of writing rhyming couplets about hating school and my early high school days of writing terrible prose with line breaks. In hindsight, I’m pretty sure the main reason I wrote so many poems in grade nine was because my teacher seemed to have no idea how to grade poems but very strong opinions about fiction, and I felt like I was terrible at writing fiction and wanted a shot at a decent grade. Man, high school was such a great time.

I write across multiple genres, but my main genre is Creative Nonfiction, which writers typically refer to as “CNF” for short. Unfortunately, I always end up having to explain what CNF is to people, because the common view of nonfiction seems to be that it’s entirely comprised of informative texts and academic essays (with maybe the occasional memoir slipped in).

Earlier today I was thinking about this, and I thought it would be really funny to place various types of “nonfiction writing” on a graph with labelled axes to prove my point. I present to you the “Nonfiction Spectrum”. On one axis, we have how “accessible” or easy to understand the text is; on the other, we have how “artistic” the presentation of the text is.